Sociology nke egwu |

Sociology French, ọkụ. – ozizi nke ọha mmadụ, si lat. societas - ọha mmadụ na Greek. logos - okwu, ozizi

Sayensị nke mmekọrịta nke music na ọha mmadụ na mmetụta nke kpọmkwem ụdị nke ya na-elekọta mmadụ ịdị adị na music creativity, arụmọrụ na ọha na eze.

S. m. na-amụ usoro izugbe nke mmepe nke muses. omenala na akụkọ ihe mere eme ha. typology, ụdị egwu. ndụ ọha mmadụ, Dec. ụdị egwu egwu (ọkachamara na onye na-amu amu, akụkọ ifo), atụmatụ egwu. nkwurịta okwu dị iche iche na-elekọta mmadụ ọnọdụ, e guzobere muses. mkpa na mmasị dị iche. ndị otu ọha mmadụ, iwu ga-eme. nkọwa nke egwu. mmepụta, nsogbu nke nnweta na ewu ewu nke egwu. prod. Sociology Marxist, sayensị nka, gụnyere. S.m., na-etinye aka na nyocha nke usoro nhazi nka. ụtọ iji dozie n'elu ihe niile bara uru. aesthetic ọrụ . nzụlite n'ime ọha mmadụ.

S. m. e hiwere na njikọ nke musicology, sociology, akparamaagwa na aesthetics. Dị ka otu n'ime akụkụ, ọ gụnyere na sociology nke nkà. Theoretical na methodological ndabere nke Marxist S.m. bụ akụkọ ihe mere eme. na olumba. ịhụ ihe onwunwe n'anya. S. m. na-achọ nlebara anya nke egwu dị ka ihe na-eme ka mmekọrịta mmadụ na ibe ya, gụnyere ọmụmụ banyere otú ndụ ọha mmadụ na echiche ụwa nke onye na-ede egwú si egosipụta na ọdịnaya na ọdịdị ya. Methodological na usoro ụkpụrụ nke echiche dị otú ahụ (nke a na-akpọ sociology, usoro) na musicology malitere ọdịdị ọbụna n'oge tupu Marxist, ma ọ bụ Marxism bụ n'ezie ndị ọkà mmụta sayensị. S. ndabere nke m.

Enwere ike ịmata ntụzịaka atọ na S.m. Usoro iwu S. m. na-etinye aka na ọmụmụ nke usoro mmekọrịta n'ozuzu n'etiti egwu na ọha mmadụ, ụdị nke muses. omenala. Akụkọ ihe mere eme S.m. na-amụ na generalizes eziokwu nke akụkọ ihe mere eme nke muses. ndu ọha. N'ime mpaghara nke empirical (concrete, bara uru ma ọ bụ etinyere) S. m. na-agụnye ọmụmụ na mkpokọta nke eziokwu ndị metụtara ọrụ egwu n'oge a. ọha mmadụ (ọmụmụ nke akụkọ ndekọ ọnụ ọgụgụ banyere ịga na concerts, na ire ere nke gramophone ndekọ, na ọrụ nke amu amu amu, kpọmkwem chọpụtara ndụ music, ụdị nile nke ntuli aka, ajụjụ ajụjụ, ajụjụ ọnụ, wdg). N'ihi ya, S.m. na-emepụta sayensị. ndabere maka nhazi nke egwu. ndụ, ijikwa ya.

Echiche dị iche iche gbasara mmekọrịta nke egwu na ọha mmadụ. ndụ adịlarị n'ime ihe odide nke oge ochie. ndị ọkà ihe ọmụma, karịsịa Plato na Aristotle. Ha tụlere ọrụ mmekọrịta nke egwu, ọ ga-ebulite. ọrụ, mmekọrịta ya na ndị na-ege ntị, kwuru ọrụ egwu na njikwa nke steeti, na nhazi nke ọha mmadụ. ndụ na mmepe omume. àgwà mmadụ. Aristotle wepụtara echiche nke ngwa na ọha mmadụ. ndụ egwu (“Ndọrọ ndọrọ ọchịchị”) na Plato (“Iwu”) welitere okwu banyere ụdị ọdịdị ọha mmadụ. Na ọrụ nke Middle Ages. Ndị na-ede akwụkwọ na-enye nhazi nke ụdị egwu. art-va, na-aga n'ihu na ọrụ mmekọrịta mmadụ na ọnọdụ nke ịdị adị nke egwu (Johannes de Groheo, mbubreyo 13th - mmalite narị afọ 14). Na Renaissance, ngalaba nke ọha mmadụ. Ojiji egwu agbasawanyela nke ọma, egwu aghọọla onwe ya. ikpe. Na narị afọ 15-16. na ọrụ nke Dutchman J. Tinktoris, ndị Ịtali B. Castiglione, C. Bartoli, E. Botrigari, a na-atụle ụdị egwu dị iche iche. Spain. onye na-ede egwú na onye ọkà mmụta sayensị F. Salinas kọwara Dec. ụdị ndị mmadụ. na egwu ụlọ, rhythmic. atụmatụ nke ndị odee jikọtara ya na nzube ndụ ha. Omenala nkọwa nke ọha mmadụ. ndụ egwu gara n'ihu na narị afọ nke 17. German theorist M. Pretorius, onye kwuru, karịsịa, na ihe ịrịba ama nke decomp. ụdị egwu na-adabere na ngwa ha. Na narị afọ 17-18. na mmepe nke ọha egwu. ndụ, mmeghe nke egwu ọha na eze na t-ditch, ọnọdụ mmekọrịta mmadụ na ọnọdụ nke ọrụ nke ndị na-eme ihe nkiri na ndị na-ede egwú na-aghọ isiokwu nke nlele. Ozi gbasara nke a dị n'ọrụ nke ọtụtụ ndị egwu egwu (I. Kunau, B. Marcello, C. Burney, na ndị ọzọ). Enyere ọha ebe pụrụ iche. Ya mere, E. Arteaga kọwapụtara ụdị mmadụ nke ndị na-ege ntị na ndị na-ekiri ya. Ọnụ ọgụgụ German. na French Enlightenment I. Scheibe, D'Alembert, A. Gretry dere maka ọrụ mmekọrịta nke egwu. N'okpuru mmetụta nke nnukwu mgbanwe French na n'ihi nkwado nke onye isi obodo. ewu na West. Europe na con. Narị afọ 18-19, mmekọrịta dị n'etiti egwu na ọha mmadụ nwetara àgwà ọhụrụ. N'otu aka ahụ, e nwere usoro ochichi onye kwuo uche nke muses. ndụ: okirikiri ndị na-ege ntị gbasaa, n'aka nke ọzọ, ndabere nke ndị na-egwu egwu na ndị ọchụnta ego na ndị na-ebipụta akwụkwọ na-achụso ihe mgbaru ọsọ azụmahịa naanị mụbara nke ukwuu, esemokwu dị n'etiti ikpe na ọchịchọ nke bourgeoisie mụbara. ọha. N'ime isiokwu nke ETA Hoffmann, KM Weber, R. Schumann, e gosipụtara mmekọrịta dị n'etiti onye na-ede egwú na ọha na eze, a na-ahụta ọnọdụ ndị na-adịghị mma, nke e wedara n'ala nke onye na-egwu egwú na bourgeoisie. ọha mmadụ. F. Liszt na G. Berlioz lebara anya na nke a.

Na con. 19 - arịọ arịrịọ. Ndụ egwu narị afọ nke 20 Dec. eras na ndị mmadụ na-aghọ isiokwu nke usoro. mụọ ihe. Akwụkwọ pụtara. "Ajụjụ Egwu nke Epoch" ("Musikalische Zeitfragen", 1903) nke G. Kretschmar, "Ndụ Egwu German. Ahụmahụ nke nleba anya egwu na mmekọrịta ọha na eze … “(“Das deutsche Musikleben…”, 1916) P. Becker, “Nsogbu egwu nke oge anyị na mkpebi ha” (“Die musikalischen Probleme der Gegenwart und ihre Lösung”, 1920) K. Blessinger , to-rye BV Asafiev kpọrọ "ụdị propylaea na nsogbu egwu na mmekọrịta ọha na eze", yana akwụkwọ X. Moser, J. Combarier. N'ime ndị kacha njọ. ọkà mmụta egwu. ọrụ nke mmalite narị afọ nke 20, bụ ndị depụtara sociological. obibia egwu, – edemede “Symphony from Beethoven to Mahler” (“Die Sinfonie von Beethoven bis Mahler”, 1918) nke Becker dere.

N'oge a, ọtụtụ sociological Observations chịkọbara na Rus. chere maka egwu. Ya mere, AN Serov na-arụ ọrụ "Music. Nyochaa ọnọdụ nkà egwu dị ugbu a na Russia na ná mba ọzọ" (1858) welitere ajụjụ ndị metụtara ọrụ egwu na ọha mmadụ. ndụ kwa ụbọchị na mmetụta nke ọnọdụ ndụ na ọdịnaya na ụdị egwu. okike, tụgharịrị gaa na nsogbu nke mmetụta mmekọrịta nke ụdị na ụdị egwu. prod. VV Stasov na PI Tchaikovsky dị egwu. na-arụ ọrụ hapụrụ ndụ sketị nke muses. ndu Dec. strata nke ndị bi na. Nnukwu ebe na Russian music nkatọ nọ na echiche nke music site ọha. Na con. 19 - arịọ arịrịọ. Narị afọ 20 na-amalite mmepe nke ụfọdụ musical-sociological. nsogbu na usoro iwu atụmatụ.

Na 1921, otu n'ime ndị malitere bourgeoisie bipụtara akwụkwọ. S.m., nke sụgharịrị pụtara. mmetụta na mmepe nke Western-European. sociology nke omenala, - M. Weber "Rational and sociological ntọala nke egwu." Dị ka AV Lunacharsky kwuru ("Na usoro mmekọrịta ọha na eze na akụkọ ihe mere eme na tiori nke egwu", 1925), ọrụ Weber bụ "naanị etude, obibia n'ozuzu oke nke isiokwu." Ọ dọtara ndị ọgaranya n'ezie. ihe onwunwe, ma n'otu oge ahụ tara ahụhụ site na mmetụ nke mmekọrịta ọha na eze rụrụ arụ na usoro adịghị mma. ụkpụrụ (neo-Kantianism). Na Zap. Na Europe, e mepụtara echiche Weber kemgbe 1950s na 60s, mgbe ọtụtụ ọrụ na S.m. Ọtụtụ n'ime Western Europe. ndị ọkà mmụta sayensị jụrụ ịsụgharị S.m. dị ka nnwere onwe. sayensị na-ewere ya dị ka alaka nke musicology, empiric. sociology ma ọ bụ egwu. aesthetics. Ya mere, K. Blaukopf (Austria) na-akọwa egwu egwu dị ka ozizi nke nsogbu mmekọrịta ọha na eze nke akụkọ ihe mere eme na tiori nke egwu, nke kwesịrị ịkwado omenala. mpaghara musicology. A. Zilberman, G. Engel (Germany) na-amụ nkesa na oriri nke egwu na ọha mmadụ na àgwà ya decomp. ọha mmadụ. ndị na-ege ntị n'ígwé. Ha achịkọtala ezigbo ihe gbasara ọha na eze. ọnọdụ ndị na-egwu egwu na decomp. era ("Egwu na Society" G. Engel, 1960, wdg), ma gbahapụrụ theoretical. generalizations pụtara ìhè. ihe. N'ọrụ nke T. Adorno (Germany), S. m. natara tumadi theoretical. ọkụ na omenala ya. echiche nke nkà ihe ọmụma banyere egwu na nnoo etisasịwo na music. aesthetics. N'akwụkwọ ya "Philosophy of New Music" ("Philosophie der Neuen Musik", 1958), "Okwu Mmalite nke Sociology of Music" (1962) Adorno weere na-elekọta mmadụ ọrụ nke music, typology nke ndị na-ege ntị, nsogbu nke oge a. ndụ egwu, ajụjụ nke ntụgharị uche na egwu egwu nke usoro klas nke ọha mmadụ, nkọwa nke ọdịnaya na akụkọ ihe mere eme, evolushọn nke ngalaba ahụ. ụdị, mba ọdịdị nke egwu. okike. Ọ ṅụrụ ntị pụrụ iche na nkatọ nke bourgeois. "Omenala uka". Agbanyeghị, Adorno katọrọ ya nke ukwuu site n'echiche nke onye na-agbachitere ụdị nka nka.

Na Western Europe. mba na USA mepụtara ọtụtụ ajụjụ S. m, gụnyere. usoro na mmekorita nke mgbasa ozi mgbasa ozi na usoro ndị ọzọ - T. Adorno, A. Zilberman, T. Kneif, H. Eggebrecht (Germany); Ọrụ mmekọrịta mmadụ na ibe egwu na oge nke imperialism na sayensị na teknụzụ. mgbanwe - T. Adorno, G. Engel, K. Fellerer, K. Maling (Germany), B. Brook (USA); usoro egwu egwu. omenala ndị isi obodo. mba, obodo, akụnụba. na socio-psychological. ọnọdụ nke ndị na-ede egwú na ndị na-egwu egwú - A. Zilberman, G. Engel, Z. Borris, V. Viora (Germany), J. Muller (USA); usoro na omume nke ọha na eze, mmekọrịta mmadụ na ibe egwu. ụtọ - A. Zilberman, T. Adorno (Germany), P. Farnsworth (USA) na J. Leclerc (Belgium); mmekọrịta dị n'etiti egwu na mgbasa ozi mgbasa ozi (nchọpụta na-ahazi site na International Institute of Audio-Visual Communication and Cultural Development na Vienna, onye ndụmọdụ sayensị - K. Blaukopf); egwu ndu Dec. strata nke ọha mmadụ - K. Dahlhaus (Germany), P. Willis (Great Britain), P. Bodo (France); nsogbu egwu sociological. akụkọ ifo - V. Viora (Germany), A. Merriam, A. Lomax (USA), D. Carpitelli (Italy). N'ọtụtụ n'ime ọrụ ndị a, e nwere ihe ọmụma bara ụba nke eziokwu, ma ọtụtụ n'ime ha na-adabere na ụzọ nkà ihe ọmụma eclectic.

S. m. na USSR na ndị ọzọ na-elekọta mmadụ. mba. Na Sov. Union 20s. ghọrọ mmalite nke mmepe nke S. m. Ọrụ dị mkpa na nke a bụ usoro ndị a na-eme na ọha mmadụ. ndu. Ndị Kọmunist na steeti Soviet-site na ụbọchị mbụ nke Oct. Revolution nke 1917 webatara okwu a: "Art to the people!". Ike niile nke nka. a kpọkọtara ndị nwere ọgụgụ isi iji mezuo amụma Lenin nke mgbanwe omenala. Na ikwiikwii muz.-sociological. ọrụ nke 20s. nsogbu nke n'ozuzu ọdịdị gbasara ọha mmadụ ka ewepụtara n'ihu. ọdịdị egwu na iwu nke akụkọ ihe mere eme ya. mmepe. Otu uru bara uru bụ ọrụ AV Lunacharsky. Dabere na ụdị nka na-arụsi ọrụ ike. ntụgharị uche, ọ tụlere ọdịnaya nke muses. nka n'ihi mmekọrịta nke onye na-ede egwú na gburugburu ebe obibi. N'akwụkwọ akụkọ "The Social Origins of Musical Art" (1929), Lunacharsky kwusiri ike na nkà bụ ụzọ nkwurịta okwu na ọha mmadụ. Na isiokwu "Otu n'ime mgbanwe na nkà akụkọ ihe mere eme" (1926), "The social si malite egwú nkà" (1929), "New ụzọ opera na ballet" (1930), o depụtara isi. ọrụ nke music na ọha mmadụ, gụnyere aesthetic na izi. Lunacharsky kwusiri ike ike nke egwu, yana nkà n'ozuzu, ịmepụta ma gbanwee nkà mmụta uche nke ọha mmadụ, o kwusiri ike na egwu n'oge niile bụ ụzọ nkwurịta okwu. BL Yavorsky kwadoro njikọ dị n'etiti okike na ọha mmadụ. nghọta. Ọ pụtara ọbụna karịa. ebe e were site na nsogbu nke S.m. na ọrụ nke BV Asafiev. N’isiokwu bụ́ “On the Immediate Tasks of the Sociology of Music” (okwu mmalite nke akwụkwọ “Music of the Medieval City” nke G. Moser, nke a sụgharịrị n’asụsụ German, 1927), Asafiev bu ụzọ depụta ọtụtụ ihe ndị S.m. kwesịrị ịkpakọrịta, na n'etiti ha - ọha mmadụ. music ọrụ, uka music. omenala (gụnyere egwu kwa ụbọchị), mmekọrịta nke obodo na ime obodo, ụkpụrụ nke echiche nke egwu na mmepe nke egwu. "Economy" na "mmepụta" (ịrụ ọrụ, ngwá ọrụ, ihe nkiri na ụlọ ihe nkiri, wdg), ebe egwu na ndụ nke obodo dị iche iche. otu, mmalite nke ihe nkiri. Genres dabere na ọnọdụ ịdị adị nke egwu. N'ọtụtụ akụkọ nke 20s. Asafiev metụrụ ọnọdụ mmekọrịta nke ịdị adị nke egwu n'oge dị iche iche, steeti ọdịnala na ụdị ezinụlọ ọhụrụ na obodo na ime obodo. Akwụkwọ "Musical Form as a Process" nke Asafiev (1930) nwere echiche na-amị mkpụrụ banyere mmekọrịta dị n'etiti imepụta ihe na nghọta na usoro ntinye, gosipụtara otú omume nke ọha mmadụ. ime egwu nwere ike imetụta okike. N'okwu mmalite nke akwụkwọ ya. "Egwú Russia site na mmalite nke narị afọ nke 1930" (XNUMX) Asafiev nyochara ụdị egwu egwu egwu dị iche iche nke mmekọrịta ọha na eze na akụ na ụba. nhazi.

N'afọ 1920 na Sov. Union, tinyere theoretical unfolded concrete sociological. nchọpụta egwu. omenala. N'okpuru Institute of History of Art na Leningrad, maka oge mbụ na omume ụwa, e kere Cabinet for Study of Muses. ndu (KIMB). RI Gruber tinyere aka na nhazi ya na ọrụ ya. N'agbanyeghị ihe ndị a rụzuru, n'ọtụtụ ọrụ, ikwiikwii. ndị ọkà mmụta egwu nke 1920 nwere ọchịchọ ime ka nsogbu ndị dị mgbagwoju anya dị mfe, na-eleghara nkọwa nke nka anya. imepụta ihe, nghọta dịtụ n'ụzọ kwụ ọtọ nke ndabere nke nnukwu ụlọ na akụ na ụba. ndabere, ya bụ ihe a na-akpọ mgbe ahụ vulgar sociology.

Maka S.m., echiche Asafiev nke "akwụkwọ ọkọwa okwu nke oge" dị ka "ihe nzuzo" nke ewu ewu na ọha mmadụ nwetara nnukwu mkpa. viability nke mmepụta, yana hypothesis nke "intonation ọgba aghara", tinye n'ihu n'akwụkwọ ya. "Ụdị egwu dị ka usoro. Akwụkwọ nke abụọ. "Intonation" (1947). Ajụjụ banyere mmekọrịta dị n'etiti mmepụta ihe na-emepụta ihe na "ego ụdị" nke oge a malitere na 30s. AA Alshvang. O kwuputara echiche na-amị mkpụrụ banyere "ịchịkọta mmadụ site na ụdị", bụ nke e mepụtara ọzọ na monograph ya na PI Tchaikovsky (1959). Ajụjụ nke "ụdị" dị ka egwu egwu na mmekọrịta ọha na eze. Ụdị nke SS Skrebkov mepụtara (akwụkwọ akụkọ "Nsogbu nke ụdị egwu na eziokwu", 1952).

Dị ka nnwere onwe. usoro mmụta sayensị nke S.m. kemgbe afọ 60. malitere ịmalite n'ọrụ AN Sohor. N'ọtụtụ akụkọ ya na karịsịa na akwụkwọ. "Sociology and musical Culture" (1975) na-akọwa isiokwu nke oge a. Egwu egwu Marxist, na-akọwa ọrụ ya, nhazi ya, na ụzọ ya, na-akọwa usoro nke ọrụ ọha mmadụ nke egwu, na-akwado atụmatụ typology nke ọha egwu ọgbara ọhụrụ. Na ntinye nke Sohor, ọnụ ọgụgụ nke òtù niile na nzukọ mba ụwa na nsogbu nke S. m. Otu ìgwè ihe ngosi nka gosipụtara nnukwu ọrụ n'ọhịa nke S. m. sociology Moscow. ngalaba nke CK RSFSR, na-amụ egwu. uto nke ndị ntorobịa Moscow (GL Golovinsky, EE Alekseev). N'akwụkwọ. "Egwu na Onye na-ege ntị" nke VS Tsukerman (1972) na-achịkọta data sitere na ọmụmụ ihe ụfọdụ nke egwu. ndụ nke Urals, a na-agbalị ịkọwapụta echiche ndị dị ka muses. omenala obodo, egwu. mkpa nke ndị bi na. A na-emepụta ajụjụ gbasara ọrụ mmekọrịta mmadụ na ibe ya na mgbanwe ya na egwu ọgbara ọhụrụ. ọnọdụ, typology nke ụmụ akwụkwọ dị iche iche, nhazi ọkwa na agụmakwụkwọ ọha. ọrụ nke egwu na-ebufe na redio na telivishọn (GL Golovinsky, EE Alekseev, Yu. V. Malyshev, AL Klotin, AA Zolotov, G. Sh. Ordzhonikidze, LI Levin). Nsogbu egwu sociological. A na-atụle akụkọ ifo na ọrụ nke II Zemtsovsky, VL Goshovsky na ndị ọzọ. na socio-psychological. E. Ya. Burliva, EV Nazaykinsky na ndị ọzọ na-arụ ọrụ na nsogbu nke music nghọta. A na-atụle arụmọrụ na usoro mgbasa ozi mgbasa ozi nke mgbasa ozi egwu n'isiokwu nke LA Barenboim, GM Kogan, NP Korykhalova, Yu. V. Kapustin na ndị ọzọ. oge gboo na ikwiikwii . musicology bụ omenala na-amụ genres na music na njikọ na ha dị mkpa nzube na ọnọdụ nke ịrụ ọrụ. A na-edozi nsogbu ndị a n'ihe gbasara ọgbara ọhụrụ, yana akụkọ ihe mere eme. N'ime ọrụ nke ụdị a, ọrụ AN Sohor, MG Aranovsky, LA Mazel, VA Tsukkerman pụtara.

Ihe ndị bara uru n'ọhịa nke S.m. e nwetara site na ndị ọkà mmụta sayensị nke ndị ọzọ socialist. mba. E. Pavlov (Bulgaria), K. Niemann (GDR), na ndị ọzọ mepụtara usoro maka ịmụ ọha na eze na mmekọrịta ya na omenala na ụzọ ọhụrụ nke ikesa egwu. Ọrụ nke I. Vitania (Hungary) na-etinye aka na egwu. ndụ nke ntorobịa, J. Urbansky (Poland) - na nsogbu nke egwu na redio na telivishọn. Na Romania (K. Brailoiu na ụlọ akwụkwọ ya) emepụtara usoro mmekọrịta ọha na eze. ọmụmụ egwu. akụkọ ifo. N'ime ọrụ ndị a na-ahụ maka nkà mmụta sayensị - "Okwu Mmalite nke Sociology Music" nke I. Supicic (Yugoslavia, 1964), na-ekpuchi ọtụtụ nsogbu nke sayensị a, gụnyere nkọwa ya, usoro, mmekọrịta na omenala. egwu egwu. N'okpuru nchịkọta akụkọ nke Supicic, a na-ebipụta magazin kemgbe 1970. "Nlebaanya mba ụwa nke Aesthetics na Sociology of Music", Zagreb. Ụfọdụ n'ozuzu okwu nke S.m. ndị ọkà mmụta sayensị L. Mokri, I. Kresanek, I. Fukach, M. Cerny. Z. Lissa (Poland) nyere n'aka. ntinye aka na mmepe nke nsogbu ndị dị otú ahụ dị ka ọnọdụ mmekọrịta mmadụ na ibe ya na akụkọ ihe mere eme. mgbanwe egwu. nghọta, ọha mmadụ. nyocha nke egwu, egwu egwu na ọdịnala ọdịnala. J. Uyfalushshi na J. Maroti (Hungary) na-amụ ụdị mmadụ nke ndị na-ege ntị.

References: Marx K. na F. Engels, On Art, vol. 1-2, M., 1976; Lenin V. I., Na Akwụkwọ na Art. Satọde, M., 1976; Plekhanov G. V., Aesthetics na sociology nke nka, vol. 1-2, M., 1978; Yavorsky V., Ọdịdị nke okwu egwu, akụkụ. 1-3, M., 1908; Lunacharsky A. V., N’ụwa egwu, M., 1923, tinye. na gbasaa ed., 1958, 1971; ya, Ajụjụ nke sociology nke egwu, M., 1927; Asafiev B. (Glebov I.), Na ọrụ ozugbo nke sociology nke egwu. (okwu mmalite), n'akwụkwọ: Moser G., Music nke obodo ochie, trans. sitere na German., L., 1927; ya, Ụdị egwu dịka usoro, Vol. 1, M., 1930, akwụkwọ 2, Intonation, M., 1947, L., 1971 (vol. 1-2); nke ya, egwu Soviet na omenala egwu. (Ahụmahụ n'iwepụta ụkpụrụ ndị bụ isi), ahọpụtara. na-arụ ọrụ, ya bụ 5, Moscow, 1957; nke ya, Akụkọ ndị ahọpụtara na nkuzi egwu na mmụta, L., 1965, 1973; Gruber R., Site na ngalaba mmụta omenala egwu nke oge anyị, n'akwụkwọ: Musicology, L., 1928; nke ya, Olee otú ndị na-ege ntị na-arụ ọrụ na-ege egwú, Music na Revolution, 1928, Mba. 12; Belyaeva-Ekzemplyarskaya S., Ọmụmụ ihe gbasara akparamaagwa nke ndị na-ege egwu egwu egwu nke oge a, "Egwu Egwu", 1929, No 3-4; Alshwang A., Nsogbu nke Genre Realism, "Soviet Art", 1938, Mba 8, Izbr. op., vol. 1, M., 1964; Barnett, J., Sociology of Art, na: Sociology Taa. Nsogbu na atụmanya, M., 1965; Sohor A., ​​Iji zụlite sayensị mmekọrịta ọha na eze, "SM", 1967, Mba 10; ya, Ọrụ mmekọrịta nke nka na ọrụ nkuzi nke egwu, n'akwụkwọ: Music in a socialist society, (vol. 1), L., 1969; ya, Na ọrụ nke ọmụmụ ihe egwu nghọta, na Sat: Artistic nghọta, vol. 1, L., 1971; nke ya, On Mass Music, na Sat: Ajụjụ nke Theory na Aesthetics of Music, vol. 13, L., 1974; ya, Development of musical sociology na USSR, n'akwụkwọ: Socialist musical Culture, M., 1974; ya, Sociology na omenala egwu, M., 1975; ya, Onye na-ede egwú na ọha na eze na ọha mmadụ, na Sat: Music in a socialist Society, vol. 2, L., 1975; ya, Ajụjụ nke Sociology na Aesthetics of Music, Sat., Mba. 1, L., 1980; Novozhilova L. I., Sociology nke nka. (Site na akụkọ ihe mere eme nke Soviet aesthetics nke 20s), L., 1968; Wahemetsa A. L., Plotnikov S. N., Nwoke na nka. (Nsogbu nke Concrete Sociological Research of Art), M., 1968; Kapustin Yu., Mgbasa ozi mgbasa ozi nke nkesa egwu na ụfọdụ nsogbu nke arụmọrụ ọgbara ọhụrụ, na: Ajụjụ nke tiori na ịma mma nke egwu, vol. 9, L., 1969; nke ya, Onye egwu na ọha, L., 1976; nke ya, Na nkọwapụta echiche nke "ọha egwu egwu", na Sat: Nsogbu usoro nke akụkọ ihe mere eme nke oge a, vol. 2, L., 1978; ya, Ụfọdụ nsogbu mmekọrịta ọha na eze-psychological nke ọha egwu, na Sat: Sociological Studies of theatrical Life, M., 1978; Kogan G., Ìhè na onyinyo nke ndekọ, "SM", 1969, Mba 5; Perov Yu. V., Gịnị bụ sociology nke nkà?, L., 1970; nke ya, Ndụ nka nka dịka ihe gbasara sociology nke nka, na: Nsogbu nke ozizi omenala Marxist-Leninist, L., 1975; Kostyuk A., Omenala nke nghọta egwu, na: nghọta nka, vol. 1, L., 1971; Nazaykinsky E., Na nkà mmụta uche nke egwu egwu, M., 1972; Zuckerman W. S., Egwu na onye na-ege ntị, M., 1972; Zhitomirsky D., Egwu maka nde mmadụ, na: Modern Western Art, Moscow, 1972; Mikhailov Al., Echiche nke ọrụ nka nke Theodor V. Adorno, na: Na Contemporary Bourgeois Aesthetics, vol. 3, M., 1972; nke ya, The Musical Sociology of Adorno na mgbe Adorno gasịrị, na Sat. Nkatọ nke bourgeois sociology nke nka nke oge a, M., 1978; Korykhalova N., Ndekọ ụda na nsogbu nke arụmọrụ egwu, na Sat. Ịrụ egwu egwu, vol. 8, M., 1973; Davydov Yu. M., Echiche nke ezi uche na sociology nke egwu nke Theodor Adorno, na Sat. Nsogbu nke omenala na egwu Bourgeois, vol. 3, Moscow, 1976; Pankevich G., Njirimara mmekọrịta-ụdị nke echiche egwu, na Sat. Edemede Aesthetic, vol. 3, Moscow, 1973; Alekseev E., Volokhov V., Golovinsky G., Zarakovsky G., N'ụzọ nke Nnyocha Egwu, "SM", 1973, No 1; Ndịda H. A., Nsogbu ụfọdụ nke ọdịdị ọha mmadụ nke uru nka, na Sat. Egwu n'ime otu Socialist Society, vol. 2, L., 1975; Burlina E. Ya., Na echiche nke "mmasị egwu", ibid., Kolesov M. S., Folklore na omenala socialist (ahụmahụ nke usoro mmekọrịta ọha na eze), ibid., Konev V. A., Social ịdị adị nke nkà, Saratov, 1975; Medushevsky V., Na tiori nke ọrụ nkwurịta okwu, "SM", 1975, No 1; ya, Kedu ụdị sayensị dị mkpa maka omenala egwu, ibid., 1977, Mba. 12; Gaidenko G. G., Echiche nke ezi uche na sociology nke egwu M. Bebepa, na sb. Nsogbu nke omenala na egwu Bourgeois, vol. 3, Moscow, 1976; Sushchenko M., Ụfọdụ nsogbu nke sociological ọmụmụ nke na-ewu ewu music na USA, na Sat. Nkatọ nke bourgeois sociology nke nka nke oge a, M., 1978; Ajụjụ nke sociology nke nkà, sb., M., 1979; Ajụjụ gbasara sociology nke nka, Sat., L., 1980; Weber M., Die rationalen und soziologischen Grundlagen der Musik, Münch., 1921; Adorno Th W., Onye nkatọ mmekọrịta mmadụ na egwu redio, Kenyon Review, 1945, Mba 7; nke ya, Dissonanzen Musik na der verwaltenen Welt, Göttingen, 1956; nke ya, Einleitung m die Musiksoziologie, (Frankfurt a M. ), 1962; его жe, Sociological ndetu na ndụ egwu German, "Deutscher Musik-Referate", 1967, Mba 5; Blaukopf K., Sociology of Music, St. Gallen, 1950; eго жe, Isiokwu nke musico-sociological research, «Music and Education», 1972, No. 2; Воrris S., N'ihe gbasara egwu egwu Sociological music analysis, "The musical Life", 1950, No. 3; mueller j H., The American Symphony Orchestra. Akụkọ gbasara ọha mmadụ nke ụtọ egwu, Bloomington, 1951; Silbermann A., La musique, la radio et l'auditeur, R., 1954; его же, Gịnị na-eme ka egwu dị ndụ Ụkpụrụ nke nkà mmụta mmekọrịta ọha na eze, Regensburg, (1957); его же, The Poles of Music Sociology, «Kцlner Journal for Sociology and Social Psychology», 1963, Mba 3; его же, Theoretical Bases of Music Sociology, "Egwu na Education", 1972, Mba 2; Farnsworth R. R., The Social Psychology of Music, N. Y., 1958; Honigsheim R., Sociology of Music, в кн. Akwụkwọ ntuziaka nke Social Sciences, 1960; Engel H., Music na Society. Ihe owuwu ụlọ maka sociology nke egwu, B., (1960); Kresanek T., Sociblna funkcia hudby, Bratislava, 1961; Lissa Z., Na mgbanwe akụkọ ihe mere eme nke egwu egwu, в сб. Festschrift Heinrich Besseler, Lpz., 1961; Mоkrэ L., Otazka hudebnej sociulgie, «Hudebnn veda», 1962, Mba 3-4; Mayer G., Na ajụjụ egwu-sociological, "Ntụnye aka na Musicology", 1963, Mba. 4; Wiora W., onye odee na ndị dịkọrọ ndụ, Kassel, 1964; Suricic J., Elementi sociologije muzike, Zagreb, 1964; его же, Music na ma ọ bụ na-enweghị ọha, «Ụwa nke egwu», 1968, Ọ dịghị l; Lesure F., Egwu na nka na ọha mmadụ, University Park (Penns.), 1968; Kneif T., Sociology of Music, Cologne, 1971; Dahlhaus C., Ọrụ egwu egwu dị ka isiokwu nke sociology, "Nyocha mba ụwa nke aesthetics na sociology nke egwu", 1974, v.

AH Coxop, Yu. V. Kapustin