Oge ochie Greek frets |
Usoro egwu

Oge ochie Greek frets |

Ụdị ọkọwa okwu
okwu na echiche

Ụdị Grik oge ochie bụ usoro nke ụdị ụda olu na egwu Gris oge ochie, nke na-amaghị polyphony n'echiche nke oge a. Ndabere nke usoro modal bụ tetrachords (na mbụ naanị ndị na-agbada). Dabere na nkeji oge nke tetrachords, ndị Gris na-ekewa ọnọdụ 3, ma ọ bụ genera (genn): diatonic, chromatic na enharmonic (a na-egosipụta ọdịiche dị na ụfọdụ mfe):

N'aka nke ya, diatonic. tetrachords nwere ụdị 3, dị iche na ọnọdụ nke nnukwu na obere sekọnd:

Nhazi fret nke usoro dị elu bilitere dị ka ngwakọta nke tetrachords. E nwere ụkpụrụ abụọ nke ịdị n'otu: "fused" (synapn) na ndakọrịta ụda dị n'akụkụ na tetrachords (dịka ọmụmaatụ, d1-c1 - h - a, a - g - f - e) na "iche" (diasenxis), na nke ji otu ụda niile kewapụrụ ụda dị n'akụkụ (dịka ọmụmaatụ, e1 - d1 - c1 - h, a - g - f - e). Ihe kachasị mkpa na njikọ nke tetrachords bụ ụdị octave (nke a na-akpọ "ụdị octaves" ma ọ bụ armoniai - "harmonies"). A na-ahụta nnukwu frets Dorian, Phrygian na Lydian, to-rye ka e guzobere site na ijikọta akwụkwọ ozi abụọ. tetrachords yiri n'usoro; A tụgharịrị Mixolydian (“Mixed-Lydian”) dị ka ngwakọta pụrụ iche nke tetrachords Lydian.

Akụkụ - hypolades sitere na ndị bụ isi site n'ịhazigharị tetrachords na ịgbakwunye ọnụ ọgụgụ na octave (aha nke ụdị Grik anaghị adaba na ndị Europe na-esote). Atụmatụ nke ụdị octave asaa:

Echiche zuru oke nke Grik ndị ọzọ. Usoro modal n'ozuzu na-anọchite anya sustnma teleion - "usoro zuru oke (ie zuru ezu)". N'okpuru ebe a bụ ihe a na-akpọ. Sistemu “edobere” (ma ọ bụ “na-abụghị modulating”) - ametabolon:

Usoro aha na-abịa site na ebe a na-ewepụta ụda olu na eriri. ngwá ọrụ cithara. Njiri mara aha steepụ n'ime octave (dịka ọmụmaatụ, vntn na-emetụta ma a1 na e1) na-egosipụta ụkpụrụ tetrachordal (ọ bụghị octave) nke ext. nhazi nke usoro. Dr. a variant nke usoro zuru oke - metabolon na-eji ntinye nke "retractable" tetrachord synnmmenon (lit. - ejikọrọ) dl - c1 - b - a, gbasaa olu nke usoro ahụ.

Mgbe a na-ebugharị usoro zuru oke na ọkwa ndị ọzọ, nke a na-akpọ. akpịrịkpa transpositional, site n'enyemaka nke ọ ga-ekwe omume inweta n'ime otu oke (lyre, cithara) dec. modal akpịrịkpa (tonoi - igodo).

Frets na genera (yana rhythms) bụ ndị Gris kwuru otu agwa ("ethos"). Ya mere, a na-ewere ọnọdụ Dorian (ndị nzuzu - otu n'ime ebo ndị Gris) siri ike, obi ike, ụkpụrụ omume dị oke ọnụ ahịa; Phrygian (Phrygia na Lydia - mpaghara Asia Minor) - nwere obi ụtọ, oke mmụọ, Bacchic:

Iji chromatic na anharmonic. genera na-egosi ọdịiche dị n'etiti egwu ndị Gris na ndị Europe na-esote. Diatonism, nke na-achị na nke ikpeazụ, bụ n'etiti ndị Gris, ọ bụ ezie na ọ bụ ihe kachasị mkpa, ma ọ bụ naanị otu n'ime atọ modal intonations. okirikiri. Akụ na ụba nke egwu egwu. A na-egosipụtakwa innation n'ụdị ngwakọta nke ọnọdụ dị iche iche, ntinye nke "agba" nke mba (xpoai), nke na-edobeghi dị ka ọnọdụ pụrụ iche.

Greek usoro nke ụdịdị a malitere n'akụkọ ihe mere eme. Ndị kasị ochie frets nke ochie. Gris, dịka o doro anya, jikọtara ya na ọnụ ọgụgụ pentatonic, nke gosipụtara na ngbanwe nke archaic. eriri. ngwá ọrụ. Usoro nke ụdịdị na ọchịchọ nke e guzobere na ndabere nke tetrachords mepụtara na ntụziaka nke ịgbasa modal nso.

References: Plato, ndọrọ ndọrọ ọchịchị ma ọ bụ steeti, Op., Nkebi III, trans. sitere na Greek, vol. 3, St. Petersburg, 1863, § 398, p. 164-67; Aristotle, ndọrọ ndọrọ ọchịchị, trans. sitere na Greek, M., 1911, akwụkwọ. VIII, ch. 7, p. 372-77; Plutarch, Na Egwu, trans. sitere na Grik, P., 1922; Amaghị aha, Okwu mmalite nke harmonica, okwu mmalite, ntụgharị na nkọwa, ndetu nke GA Ivanov, “Philological Review”, 1894, vol. VII, akwụkwọ. 1-2; Petr BI, Na nhazi, nhazi na ụdịdị na egwu Greek oge ochie, K., 1901; Ndị na-eche echiche oge ochie banyere nka, comp. Asmus BF, M., 1937; Gruber RI, History of musical Culture, vol. 1, akụkụ 1, M.-L., 1941; Mma egwu egwu oge ochie. Banye. edemede na nchịkọta ederede nke AF Losev. Okwu mmalite na ed. VP Shestakova, M., 1960; Gertsman EB, Nghọta nke mpaghara ụda ụda dị iche iche na echiche egwu oge ochie, "Bulletin of Ancient History", 1971, Mba 4; Bellermann, F., Die Tonleitern und Musiknoten der Griechen, B., 1847; Westphal R., Harmonik und Melopüe der Griechen, Lpz., 1864; Gevaert fr. A., Histoire et théorie de la musique de l'antiquité, v. 1-2, Gand, 1875-81; Riemann H., Katechismus der Musikgeschichte, Bd 1, Lpz., 1888; pyc. trans., M., 1896; Monro DB, Ụdị egwu Grik oge ochie, Oxf., 1894; Abert H., Die Lehre vom Ethos na der griechischen Musik, Lpz., 1899; Sachs C., Die Musik der Antike, Potsdam, 1928; pyc. kwa. otd. isi n'okpuru isi. "Egwuregwu-theoretical echiche na ngwa nke ndị Gris oge ochie", na Sat: Omenala egwu nke ụwa oge ochie, L., 1937; Gombosi O., Tonarten und Stimmungen der antiken Musik, Kph., 1939; Ursprung O., Die antiken Transpositionsskalen und die Kirchentöne, “AfMf”, 1940, Jahrg. 5, H. 3, S. 129-52; Dzhudzhev S., Theory on Bulgarian folk music, vol. 2, Sofia, 1955; Husmann, H., Grundlagen der antiken und orientalischen Musikkultur, B., 1961.

Yu. H. Kholopov

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