Daniel Francois Esprit Auber |

Daniel Auber

Ober. "Fra Diavolo". Agnes na-eto eto (N. Finer)

Onye otu Institute of France (1829). Mgbe ọ bụ nwata, ọ na-akpọ violin, dere romances (ha na-ebipụta). N'ihe megidere ọchịchọ nke nne na nna ya, bụ ndị kwadebere ya maka ọrụ azụmahịa, o tinyere onwe ya na egwu. Ahụmahụ mbụ ya, nke ka na-amate ama na egwu egwuregwu bụ ihe nkiri opera Iulia (1811), nke L. Cherubini kwadoro (n'okpuru nduzi ya, Aubert mechara mụọ ihe mejupụtara).

Egwuregwu egwu egwu mbụ Aubert mere, The Soldiers at Rest (1813) na Testament (1819), enwetaghị nkwado. Aha ama wetara ya ihe nkiri egwu egwu The Shepherdess - onye nwe nnukwu ụlọ ahụ (1820). Site na 20s. Aubert malitere mmekorita na-amịpụta ogologo oge na onye na-ede egwuregwu E. Scribe, bụ onye dere libretto nke ọtụtụ operas ya (nke mbụ n'ime ha bụ Leicester na Snow).

Na mmalite nke ọrụ ya, G. Rossini na A. Boildieu na-emetụta Aubert, ma ugbua ihe nkiri opera The Mason (1825) na-agba akaebe na nnwere onwe okike na mmalite nke onye na-ede egwú. N'afọ 1828, opera The Mute from Portici (Fenella, lib. Scribe na J. Delavigne), bụ nke mere ka ama ama ya, jiri nnukwu mmeri mee ihe. Na 1842-71 Aubert bụ onye nduzi nke Paris Conservatoire, site na 1857 ọ bụkwa onye na-ede akwụkwọ ụlọikpe.

Ober, yana J. Meyerbeer, bụ otu n'ime ndị mepụtara ụdị opera ukwu. Opera The Mute sitere na Portici bụ nke ụdị a. Atụmatụ ya - nnupụisi nke ndị ọkụ azụ Neapolitan na 1647 megide ndị na-agba ohu Spanish - kwekọrọ na ọnọdụ ọha na eze n'abalị nke mgbanwe mgbanwe July nke 1830 na France. Site na nhazi ya, opera zara mkpa nke ndị na-ege ntị dị elu, mgbe ụfọdụ na-eme ka ngosi mgbanwe mgbanwe (mkpughe ịhụ mba n'anya na arụmọrụ na 1830 na Brussels jere ozi dị ka mmalite nke ọgba aghara nke mere ka a tọhapụ Belgium site na ọchịchị Dutch). Na Russia, a na-anabata ọrụ opera na Russian naanị n'okpuru aha Palermo Bandits (1857).

Nke a bụ opera mbụ bụ isi nke dabeere na akụkọ ihe mere eme n'ezie, ihe odide nke ndị na-abụghị ndị dike oge ochie, kama ndị nkịtị. Aubert na-akọwa isi okwu dị egwu site na nchigharị egwu nke egwu ndị mmadụ, egwu egwu yana egwu ọgụ na ngagharị nke Great French Revolution. The opera na-eji usoro nke iche dramaturgy, ọtụtụ ukwe, mass genre na dike nkiri (na ahịa, ọgba aghara), melodramatic ọnọdụ (ebe ara). Enyere ọrụ nke heroine n'aka ballerina, nke mere ka onye na-ede egwú nwee ike imeju akara ahụ na ihe ngosi egwu egwu nke na-esote egwuregwu Fenella, ma webata ihe ndị na-emepụta ballet dị irè n'ime opera. Opera The Mute sitere na Portici nwere mmetụta na mmepe nke ndị dike-dike na opera ihunanya.

Aubert bụ onye nnọchi anya kacha nke opera ihe nkiri French. Opera ya Fra Diavolo (1830) mere ọkwa ọhụrụ na akụkọ ihe mere eme nke ụdị a. N'ime ọtụtụ operas ndị na-atọ ọchị pụtara: "Ịnyịnya Bronze" (1835), "Black Domino" (1837), "Diamonds of the Crown" (1841). Aubert dabere na ọdịnala ndị nna ukwu nke opera ihe nkiri French nke narị afọ nke 18. (FA Philidor, PA Monsigny, AEM Gretry), yana Boildieu nke ochie ya, mụtara ọtụtụ ihe na nka nke Rossini.

Na mmekorita ya na Scribe, Aubert mepụtara ụdị ụdị opera ọhụrụ na-atọ ọchị, nke a na-eji ihe na-akpali akpali na nke na-akpali akpali, mgbe ụfọdụ atụmatụ akụkọ ifo, omume na-etolite ngwa ngwa, jupụtara na ọnọdụ dị egwu, egwu egwu, mgbe ụfọdụ oke egwu.

Egwu Aubert dị egwu, na-egosipụta nhụsianya na-egosipụta ntughari omume na-atọ ọchị, juputara n'ìhè mara mma, amara, ihe ọchị na nchapụta. Ọ na-agụnye ụda nke egwu French kwa ụbọchị (abụ na ịgba egwu). A na-eji akara ugo dị ụtọ na ụdị dị iche iche mara akara ya, egwu dị nkọ, egwu dị egwu, yana egwu egwu na-adịkwa nro mgbe mgbe. Aubert ji ụdị mbilite na egwu dị iche iche, wepụta nke ọma wee webata ensembles na ndị ukwe, nke ọ tụgharịrị n'ụzọ dị egwu ma dị irè, na-emepụta ihe nkiri ndị mara mma na ndị mara mma. Ejikọtara ọmụmụ ihe okike na Aubert na onyinye dị iche iche na ihe ọhụrụ. OTU Serov nyere nyocha dị elu, nkọwa doro anya nye onye dere ya. Opera opera Aubert kacha mma ejirila ewu ewu ha.

EF Bronfin

Ngwakọta:

opera – Julia (Julie, 1811, ụlọ ihe nkiri nkeonwe na nnukwu ụlọ nke Chime), Jean de Couvain (Jean de Couvain, 1812, ibid.), Ndị agha na ezumike (Le séjour militaire, 1813, Feydeau Theatre, Paris), Testament, ma ọ bụ ndetu ịhụnanya (Le testament ou Les billets doux, 1819, Opera Comic Theatre, Paris), Shepherdess - onye nwe ụlọ ahụ (La bergère châtelaine, 1820, ibid.), Emma, ​​ma ọ bụ nkwa na-enweghị isi (Emma ou La) promesse imprudente, 1821, ibid. otu), Leicester (1823, ibid.), Snow (La neige, 1823, ibid.), Vendôme na Spain (Vendôme en Espagne, tinyere P. Herold, 1823, King Academy of Music na Dance, Paris) , Ụlọikpe Concert (Le concert à la cour, ou La débutante, 1824, Opera Comic Theatre, Paris), Leocadia (Léocadie, 1824, ibid.), Bricklayer (Le maçon, 1825, ibid.), Ihere ( Le timide , ou Le nouveau séducteur, 1825, ibid.), Fiorella (Fiorella, 1825, ibid.), Mute si Portici (La muette de Portici, 1828, King's Academy of Music and Dance, Paris), nwunye (La fiancée, 1829, Opéra Comique, Paris), Fra D iavolo (F ra Diavolo, ou L'hôtellerie de Terracine, 1830, ibid.), Chineke na Bayadère (Le dieu et la bayadère, ou La courtisane amoureuse, 1830, Eze. Ụlọ akwụkwọ egwu na egwu egwu, Paris; ọrụ nke onye gbachiri nkịtị bayadère isp. ballerina M. Taglioni), Love potion (Le philtre, 1831, ibid.), Marquise de Brenvilliers (La marquise de Brinvilliers, ọnụ na 8 ọzọ composers, 1831, Opera Comic Theatre, Paris), Ịṅụ iyi (Le serment , ou Les faux). -monnayeurs, 1832, King's Academy of Music and Dance, Paris), Gustav III, ma ọ bụ Masquerade Ball (Gustave III, ou Le bal masqué, 1833, ibid.), Lestocq, ou L' intrigue et l'amour, 1834, Opera Comic, Paris), The Bronze Horse (Le cheval de bronze, 1835, ibid; na 1857 arụgharịrị n'ime nnukwu opera), Acteon (Actéon, 1836, ibid), White Hoods (Les chaperons blancs, 1836, ibid.), Onye ozi. (L'ambassadrice, 1836, ibid.), Black Domino (Le domino noir, 1837, ibid.), Fairy Lake (Le lac des fées, 1839, King's Academy Music and Dance”, Paris), Zanetta (Zanetta, ou Jouer avec le feu, 1840, Opera Comic Theatre, Paris), Crown Diamonds (Les diamants de la couronne, 1841, ibid.), Duke nke Olonne (Le duc d 'Olonne, 1842, ibid.), Ekwensu Share (La part. du diable, 1843, ibid.) , Siren (La sirène, 1844,ibid.), Barcarolle, ma ọ bụ ịhụnanya na egwu (La barcarolle ou L'amour et la musique, 1845, ibid.), Haydée (Haydée, ou Le secret, 1847, ibid.), Prodigal nwa (L'enfant prodigue, 1850). , Eze. Academy of Music and Dance, Paris), Zerlina (Zerline ou La corbeille d'oranges, 1851, ibid), Marco Spada (Marco Spada, 1852, Opera Comic Theatre, Paris; na 1857 degharịrị na ballet), Jenny Bell (Jenny Bell) , 1855, ibid.), Manon Lescaut (Manon Lescaut, 1856, ibid.), nwanyị Circassian (La circassienne, 1861, ibid.), Nwunye nke King de Garbe (La fiancée du roi de Garbe, 1864, ibid.) ) , Ụbọchị mbụ nke obi ụtọ (Le premier jour de bonheur, 1868, ibid.), Nrọ nke ịhụnanya (Rêve d'amour, 1869, ibid.); eriri. quartets (anaghị ebipụta), wdg.