Ntughari ngbanwe |

Ntụghachi azụ - polyphonic. ngwakọta nke abụ olu ụtọ, nke nwere ike gbanwee ghọọ onye ọzọ, nke na-emepụta ihe, site n'enyemaka nke ntụgharị nke otu, ọtụtụ (ezughị ezu O. na.) ma ọ bụ olu niile (n'ezie O. to.), ụdị mgbagwoju anya counterpoint. Kachasị O. na. na mkpesa nke olu niile, ebe njikọ njikọ dị ka ihe ngosi nke mbụ na enyo, nke a na-akpọ. mirror counterpoint. A na-akọwa ya site na nha nhata nke etiti nke mbụ na ogige ndị e nwetara (JS Bach, The Well-Tempered Clavier, vol. 1, fugue G-dur, ogwe 5-7 na 24-26; The Art of the Fugue, Mba. 12). O. to ezughi oke siri ike: oge ​​nke njikọ mbụ na-agbanwe na mwepu na-enweghị ụkpụrụ a na-ahụ anya. Ọtụtụ mgbe O. na. na ezughị ezu O. na. A na-ejikọta ya na ebe a na-ebugharị kwụ ọtọ (nke a na-agbanwe agbanwe: DD Shostakovich, fugue E-dur, ogwe 4-6 na 24-26; WA Mozart, Quintet c-moll, trio si na minuet), kwụ ọtọ na okpukpu abụọ nke mbughari (ezughị ezu). vetikal-horizontal reversible: JS Bach, akụkụ abụọ mepụtara na g-moll, Ogwe 1-2 na 3-4), counterpoint nke na-enye ohere ịgbagha ugboro abụọ (enweghi ike ịtụgharị ya na ugboro abụọ: JS Bach, The Well-Tempered Clavier, vol. 2, fugue na b-moll, ogwe 27-31 na 96-100); A na-ejikwa mmegharị nlọghachi na O. to. ịbịaru, nkeji oge nke olu na-agbanwekarị. Usoro nke O. ka. ndị dere na narị afọ nke 20 na-ejikarị eme ihe. (A. Schoenberg, Hindemith, RK Shchedrin, wdg), na-ejikọta ya na ihe mgbochi ejighị n'aka na mbụ. ụdị (njegharị nlọghachi).

References: Bogatyrev SS, Ntụgharị atụgharị, M., 1960; Yuzhak K., Akụkụ ụfọdụ nke nhazi nke fugue site na JS Bach, M., 1965, §§ 20-21; Taneev SI, Iberibe sitere na ụdị mmeghe nke akwụkwọ “Mobile counterpoint of strict writing…”, n'akwụkwọ: Taneev S., Site na sayensị na nkuzi. ihe nketa, M., 1967. Leekwa ọkụ. n'okpuru isiokwu Mgbanwe nke isiokwu.

VP Frayonov