Metụ |

aka (Mmetụta French, site na onye na-emetụ aka - aka, aka) - ọdịdị nke mmekọrịta nke akụkụ anụ ahụ nke ntu phalanx nke mkpịsị aka (nke a na-akpọ pads) na igodo FP. A na-ekpebi ya site na ọnọdụ mkpịsị aka n'ihe metụtara igodo, ọsọ nke ije ya, oke, omimi nke ịpị, na ihe ndị ọzọ. N'echiche nke ọtụtụ ndị pianists, àgwà na àgwà nke ụda ngwá ọrụ ("akọrọ," "ike," ma ọ bụ "ụda," ma ọ bụ "ụda") na-adabere na njirimara onye ọ bụla nke timbre.

Dị ka ihe atụ, J. Field, Z. Talberg, AG Rubinshtein, na AN Esipova bụ ndị a ma ama n’ihi agba “velvet” na “juicy” ha, na F. Liszt na F. Busoni n’ihi àgwà ha dịgasị iche. Otú ọ dị, ụfọdụ ndị ọkà mmụta pianism na-ewere ịdabere a dị ka ihe efu, na-arụ ụka na ụda piano. anaghị agbazinye onwe ya na mgbanwe timbre ma dabere naanị na ike nke igbu ahụ.

References: Gat I., Usoro nke ịkpọ piano, M.-Budapest, 1957, 1973; Kogan G., Ọrụ Pianist, M., 1963, 1969; Ndị nkuzi piano pụtara ìhè, M.-L., 1966; Alekseev A., Site na akụkọ ihe mere eme nke piano pedagogy. Onye na-agụ, K., 1974; Milshtein Ya., KN Igumnov, Moscow, 1975; Hummel JN, Ausführliche theoretisch-practische Anweisung zum Piano-Forte-Spiel, W., 1828; Thalberg S., L'art du chant appliqué au Piano, Brux., 1830; Kullak A., Die Dsthetik des Klavierspiels, B., 1861, Lpz., 1905; Leimer K., Modernes Klavierspiel nach Leimer-Giese-king, Mainz-Lpz., 1931; Mallhay T., Ihe a na-ahụ anya na nke a na-adịghị ahụ anya na usoro pianoforte, L.-NY, 1960; Gieseking W., So wurde ich Pianist, Wiesbaden, 1963.

GM Kogan