Epitaph |
Epitaph (sitere na Greek epitapios – okwute ili, site na epi – on, over na tapos – ili) – ihe edere okwute n’ili, na-abụkarị n’amaokwu. Ụdị E. mepụtara na Dr. Greece na Rom. Na omenala ndị Europe, ma ezigbo uri na akụkọ ifo, dị ka a pụrụ isi kwuo ya, na-emegharị ya - abụ na mmụọ nke ihe odide nke nkume ili, nke dị na otu ikike dị ka uri ndị ọzọ "na-abaghị uru" - ejiri mee ihe. Echekwara E., raara nye ndị egwu egwu, dịka ọmụmaatụ. opi nke ndị agha Rom (lee akwụkwọ: Fedorova EV, Latin Inscriptions, M., 1976, p. 140, 250, No 340) na onye isi akụkụ ahụ, "onye maara otú e si eme akụkụ mmiri na ọbụna na-eduzi mmegharị ahụ (nke mmiri n'ime ha)". Mgbe ụfọdụ, ezigbo E. bụkwa egwu. Ya mere, n'ili Seikil na Tralles (Lydia, Asia Minor) ca. 100 BC e. ka e dekọrọ egwu egwu nke nwere ederede kwekọrọ (lee ihe atụ egwu dị n'isiokwu a, ụdị Greek ochie). Na narị afọ nke 19 mgbe kere muses. ngwaahịa, nke na ọdịdị ha kwekọrọ n'echiche nke u2buXNUMXbE. na mgbe ụfọdụ na-aza aha a. N'ime ha bụ mmegharị nke XNUMX nke Berlioz's Funeral and Triumphal Symphony (Tomb Speech for Solo trombone), E. to the Gravestone of Max Egon of Furstenberg" maka ọjà, clarinet na harp nke Stravinsky, atọ E. ("Drei Grabschriften") Dessau. na op. B. Brecht (na ebe nchekwa nke VI Lenin, M. Gorky na R. Luxembourg), E. na ọnwụ K. Shimanovsky maka eriri. Sheligovsky Orchestra, olu-symphony. E. na ebe nchekwa F. Garcia Lorca Nono na ndị ọzọ. E. metụtara ngwaahịa ndị ọzọ. nke a na-akpọ. ụdị ncheta - njem olili ozu, ngọnarị, nkume ili (Le tombeau; suite "The Tomb of Couperin" maka pianoforte Ravel, "Abụ mwute" maka Lyadov Orchestra), ụfọdụ elegies, Lamento, Na memoriam (introit "Na ebe nchekwa nke TS). Eliot » Stravinsky, "Na memoriam" maka orchestra Schnittke).
Mbipụta: Epigram Greek, trans. с древнегреч., (M., 1960); Egwu Latịn Epigraphy. Br. Buecheler, fasc. 1-3, Lipsia, 1895-1926; Abụ ili ili Latịn. J. Cholodniak, Petropolis, 1897 gbakọtara.
References: Petrovsky PA, Latin epigraphic uri, M., 1962; Ramsay WM, Edemede edeghị ede nke Asia Minor, Bulletin de Correspondance Hellénique, 1883, v. 7, Nke 21, p. 277-78; Crusius O., Ein Liederfragment auf einer antiken Statuenbasis, “Philologus”, 1891, Bd 50, S. 163-72; nke ya, Zu neuentdeckten antiken Musikresten, ibid., 1893, S. 160-200; Martin E., Trois documents de musique grecque, P., 1953, p. 48-55; Fischer W., Das Grablied des Seikilos, der einzige Zeuge des antiken weltlichen Liedes, na Ammann-Festgabe, Vol. 1, Innsbruck, 1953, S. 153-65.
EV Gertzman
